jeliza: custom avatar by hexdraws (sidelit)

Originally published at pixels, light and hot wax. You can comment here or there.

I am in a take-a-breath moment in the holiday album design onslaught at the moment, and when I was putting some client albums up on blurb, I saw (clever them) a little popup about how they were doing notebooks now.  I tend to have 2-3 notebook/sketchbooks going at any one time, and it bums me out that the only ones I can usually find with gridded pages are moleskine, which aren’t the right size and aren’t pretty.

So I made one. It took maybe 10 minutes, and that’s NOT my book design expertise talking. I am pleased.  It’s mostly photos from the Oregon coast landscape photography workshop from 2009 because well, my camera and I don’t talk too much lately with all the busy.

The default layout has a picture every 7ish pages, and all the rest grid. On uncoated paper that can be written on. Yay!

(Yeah, that is an affiliate link, because I don’t mark up the blurb books I make, but I send them lots of business, so one of my colleagues pointed out that a bonus for me that doesn’t cost my customers anything is a good thing. And while I’ve got the business hat on, if you wanna go gonzo and make your own, HOLIDAYTHANKS gets you 25% off through ”cyber monday” on books you make, and MERRY will work on other people’s books.)

And that is just a little something on top of this big gorgeous thing:

I started carrying a new kind of flush album; it’s really stripped down as flush albums go, with superthin pages, limited cover design choices, mostly things you only notice if you make a lot of albums, really, and all streamlining rather than quality reduction. And the pricing is amazing as such things go, right in the range a lot of my more “budget” clients are aiming for. (Budget being a relative term when you are talking about custom designed, handmade photo-page books.) So I needed samples, stat, but I was in love with the 12×12, and I didn’t have any 20 page 12×12 designs hanging out that I could use.  But, well, I did have a set of really awesome photos that are intended to be seen only REALLY LARGE and this thing is 2 feet wide when open, so …. I made myself a super luxe artist portfolio. That I totally got the studio sample discount on because I really am going to use it to show wedding album clients.

(Pictures are craptastic because it is raining and I haven’t fetched my lights back from the person I lent them to yet.)

12x12 skinny basic flush with black linen and cover inset, abstract botanical portfolio

12x12 portfolio open to purple tulip

for scale, that’s my cell phone:

Isn’t it pretty? I want to pet it. (You can see the whole design here if you like). The photos are smaller than they are when I show them as framed prints, but still big enough to get the right SO MUCH BIGGER THAN LIFESIZE effect.

(Sorry if this sounds super-promotey, but you have to understand, BOOKS! that I get to KEEP and USE instead of mailing away! It’s like working in a chocolate shop and never getting to eat any to do what I do normally. )

jeliza: custom avatar by hexdraws (sidelit)

Before and After magazine has a lovely tutorial video about how to design without images; I spend almost all of my time designing without words, but I find that the use of white space, as discussed here, to be just as crucial. Often, a single image on a page with a generous blank border is more effective at bringing out the story in that image than would be the same image, full bleed, and certainly better than the page filled with small images with no room to breathe. White space (which is not necessarily white, of course) is crucial to directing the eye and giving your actual content space to speak.

And, completely unrelated, but hey, it’s also a video, one of my favorite giclee clients, Lynnette Shelley, has done a new time-lapse video of her recent painting The Forest King:

Originally published at pixels, light and hot wax. You can comment here or there.

June 2025

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